These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" When the two girls had gone in to breakfast it was for Fleda to see at a glance that there had been a further passage, of some high color, between Owen and his mother; and she had turned pale in guessing to what extremity, at her expense, Mrs. Gereth had found occasion to proceed. Hadn't she, after her clumsy flight, been pressed upon Owen in still clearer terms? Mrs. Gereth would practically have said to him: "If you'll take her, I'll move away without a sound. But if you take any one else, any one I'm not sure of, as I am of her—heaven help me, I'll fight to the death!" Breakfast, this morning, at Poynton, had been a meal singularly silent, in spite of the vague little cries with which Mrs. Brigstock turned up the underside of plates and the knowing but alarming raps administered by her big knuckles to porcelain cups. Some one had to respond to her, and the duty assigned itself to Fleda, who, while pretending to meet her on the ground of explanation, wondered what Owen thought of a girl still indelicately anxious, after she had been grossly hurled at him, to prove by exhibitions of her fine taste that she was really what his mother pretended. This time, at any rate, their fate was sealed: Owen, as soon as he should get out of the house, would describe to Mona that lady's extraordinary conduct, and if anything more had been wanted to "fetch" Mona, as he would call it, the deficiency was now made up. Mrs. Gereth in fact took care of that—took care of it by the way, at the last, on the threshold, she said to the younger of her departing guests, with an irony of which the sting was wholly in the sense, not at all in the sound: "We haven't had the talk we might have had, have we? You'll feel that I've neglected you, and you'll treasure it up against me. Don't, because really, you know, it has been quite an accident, and I've all sorts of information at your disposal. If you should come down again (only you won't, ever,—I feel that!) I should give you plenty of time to worry it out of me. Indeed there are some things I should quite insist on your learning; not permit you at all, in any settled way, not to learn. Yes indeed, you'd put me through, and I should put you, my dear! We should have each other to reckon with, and you would see me as I really am. I'm not a bit the vague, mooning, easy creature I dare say you think. However, if you won't come, you won't; n'en parlons plus. It is stupid here after what you're accustomed to. We can only, all round, do what we can, eh? For heaven's sake, don't let your mother forget her precious publication, the female magazine, with the what-do-you-call-'em?—the grease-catchers. There!"!

She checked him with a gesture. "Don't tell me what she did!" She had colored up to her eyes, where, as with the effect of a blow in the face, she quickly felt the tears gathering. It was a sudden drop in her great flight, a shock to her attempt to watch over what Mona was entitled to. While she had been straining her very soul in this attempt, the object of her magnanimity had been pronouncing her "not honest." She took it all in, however, and after an instant was able to speak with a smile. She would not have been surprised to learn, indeed, that her smile was strange. "You had said a while ago that your mother and I quarreled about you. It's much more true that you and Mona have quarreled about me." Fleda was silent a moment. "No, I don't mean that Owen has any," she returned at last.

"And how does she take it?" "She came to see what she could do. She had been tremendously upset, the day before, by what had taken place at your father's, and she had posted down to Ricks on the inspiration of the moment. She hadn't meant it on leaving home; it was the sight of you closeted there with Owen that had suddenly determined her. The whole story, she said, was written in your two faces: she spoke as if she had never seen such an exhibition. Owen was on the brink, but there might still be time to save him, and it was with this idea she had bearded me in my den. 'What won't a mother do, you know?'—that was one of the things she said. What wouldn't a mother do indeed? I thought I had sufficiently shown her what! She tried to break me down by an appeal to my good nature, as she called it, and from the moment she opened on you, from the moment she denounced Owen's falsity, I was as good-natured as she could wish. I understood that it was a plea for mere mercy, that you and he between you were killing her child. Of course I was delighted that Mona should be killed, but I was studiously kind to Mrs. Brigstock. At the same time I was honest, I didn't pretend to anything I couldn't feel. I asked her why the marriage hadn't taken place months ago, when Owen was perfectly ready; and I showed her how completely that fatuous mistake on Mona's part cleared his responsibility. It was she who had killed him—it was she who had destroyed his affection, his illusions. Did she want him now when he was estranged, when he was disgusted, when he had a sore grievance? She reminded me that Mona had a sore grievance too, but she admitted that she hadn't come to me to speak of that. What she had come to me for was not to get the old things back, but simply to get Owen. What she wanted was that I would, in simple pity, see fair play. Owen had been awfully bedeviled—she didn't call it that, she called it 'misled'—but it was simply you who had bedeviled him. He would be all right still if I would see that you were out of the way. She asked me point-blank if it was possible I could want him to marry you." "Why not, with such a studied omission on his part to gloss over in any manner the painful tension existing between them—the painful tension that, under providence, I've been the means of bringing about? He gives you by his silence clear notice that his marriage is practically off."